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The movie Gravity, which came out in 2013, is about grief. And it’s worth watching with this in mind, because what Alfonso Cuarón, the director and co-writer, and Jonás Cuarón, the other co-writer, have to tell us about grief can help us through it.
When we first see Dr. Ryan Stone, she is floating in space. She doesn’t seem to belong there. She’s fighting nausea, and she’s not an astronaut or engineer by training—she’s a medical doctor. But she has a reason to have signed up for this space-station repair job. Her young daughter died from a fall in a playground, and ever since then, Ryan has tried not to touch the ground.
Gravity has not been good to Ryan. You can see why she wants to leave it behind. Of all the things that could kill a person, drowning or poisoning or a car crash, the writers chose a different fate for her child: she fell. She died from gravity. That moment of gravity inflicted upon Ryan one of the weightiest losses a person can endure.
And then there’s the very word gravity, so similar to grave…. Gravity, grave, and grief all come from the same root, the Old English for dig. Earth holds us, which is all very well when we are happy. But when grief comes, we may want to float above everything. It is so, so hard just to be awake, to be aware, to continually encounter the solid reality of a world that reverberates with absence, because the one we love is nowhere to be found. There is no escaping our feelings, we know that, but if we could just float, maybe we could float away and never feel anything again….
Ryan gets her chance, because the mission goes wrong, and suddenly it is very likely that she is going to die up there, that very day, in space. Alone and unmoored, she is tempted to just give in and give up.
But by the close of the movie, she wants to live. And in its final moments, she digs her hands into the earth, grateful just to be here, and when she stands up on those shaky legs, the camera looks up at her as if at a colossus. With that shot, Cuarón is telling us that Ryan Stone is heroic, and she is. She hasn’t saved the world from invasion or her city from destruction. She has simply done what each of us must do at some point, when even to be on earth, of earth, is excruciatingly painful. She chooses life, the whole weight and heft of it.
When sorrow comes for us, we may want to just float. And that can be good medicine. Music, sleep, the shadow worlds of movies or books, might give us some relief for awhile. In the end, though, we are creatures of earth, and we need gravity. We must remain tethered to reality and all the pain it brings, or else float forever in a half-existence. As the introduction to the movie says, as the camera pans an unimaginably large, indifferent expanse, “life in space is impossible.”
When we realize that we cannot float forever and we find it unendurable to touch the ground, friends can be the bridge we need. The touch of a hand, the sound of a voice, good food made by good friends, tether us gently: not demanding that we return to gravity’s relentless pull until we’re ready, but letting us know that we are of this life, this earth. Creating something together, whether a cantata or a conversation, offers threads of connection when we still feel as if a stronger one would hurt too much. When others express their griefs and losses, never as a comparison or competition, but humbly, out of their own need, they anchor us to the life we share. And bit by bit, we may follow that lifeline back to healing and joy.
Quest for Meaning is a program of the Church of the Larger Fellowship (CLF).
As a Unitarian Universalist congregation with no geographical boundary, the CLF creates global spiritual community, rooted in profound love, which cultivates wonder, imagination, and the courage to act.