We’ve Come This Far…
For her 75th birthday, my Granny talked my dad, her 4th born son, into driving her and my Great Aunt Dot out the see the Grand Canyon “before I die.”
Once they had made the long journey from North Georgia to the Grand Canyon, Granny turned to my dad and said “you know what else I want to see before I die? The giant redwood trees! We’ve come this far. We might as well go.” What else could my dad do but get everyone back into the car and go see those amazing trees. What’s another 2000 miles roundtrip with the trickster Granny in your car and in your heart?
Granny was a born again Christian who would speak of her salvation from cigarettes as a miracle worked in her life by Jesus Christ. When she died in 2007, two ministers preached her funeral and they began the service by saying “Granny wanted us to preach a full service today, complete with alter call, because she knew this was the last time she could make y’all all come to church.” I sat in that pew laughing through my tears of grief…and prayed that one day, I would have her courage, her ability to live faithfully into the mystery, even unto death.
My granny taught me to trust the mystery of the world, to delight in the many colorful stories that sustain our days, to ask for what I need to survive, to figure out how to thrive. She taught me to believe that I am loved and can love, no matter what. To believe that you are loved and can love, no matter what.
No matter what.
How Granny learned to live so bravely and unapologetically may always be a mystery to me. But I am ever so grateful for the lessons of her life, of her faithfulness, of her creativity.
Whenever we start to flag, to judge, to doubt, to tire, may we remember and be encouraged by the trickster energy of Granny.
We’ve come this far. We might as well go see the giant redwoods – host General Assembly in New Orleans in 2017, grow our faith in the Deep South, bend the arc of the universe toward justice – whatever faithful longing we carry in our hearts.
Let’s be brave, beloveds, and live into the mystery together.
Give me the heart
I have spent the past few days saturated in extraordinary music, delicious food, dear friends – and almost completely off of the grid, just checking in from time to time with the office and the work phone to keep disasters to a minimum.
Today I return to the world of administration and e-mail, deadlines and accountability, pastoral care and organizing.
Today I pray to the universe “give me the heart.” Give me the heart to love, the heart of compassion and commitment. Give me the heart of return, the heart of restoration.
And I will give. I will give thanks for the gift of life, for the gift of love and compassion bestowed with grace. In my gratitude, I will serve with heart.
I will live from a place of gratitude.
I will say thank you.
Thank you, universe.
Carrots, Sticks, Paddles, and Autopilot
Buddhist wisdom says there are three ways we naturally approach anything—desire, aversion, or indifference. For the sake of convenience, I call them, “yum!” “eeeeewwww” and “zzzzzz.”
I see a slice of cheese cake. “Yum!” I love cheese cake. So, I desire the slice of cheese cake. I grab it. Five hundred calories down my gullet. I see a squirrel that’s been hit by a car. Eeeeeewwww! Aversion. I look away. Then there’s indifference: trees along the route to work, for example. Those tchotchkes around the house that you haven’t dusted in months. Indifference. You just don’t see them. “Zzzzzz.”
I swallow the cheese cake before I even have time to enjoy it. I’m too caught up in my aversion at the sight of the wounded squirrel to help. I don’t bother looking up to see the gift that simple things like sycamore trees or a souvenir from long ago can bring.
Desire. Aversion. Indifference. These are the reactions we naturally have when our brains are on autopilot. And Buddhists say these lead to our suffering. We go through our thoughtless lives wanting, rejecting, and ignoring. And it’s always about me, me, and me.
How can we get out of that cycle?
Buddhism teaches that we have to find a place of equanimity—calmness; composure; evenness of temper.
But how can I keep evenness of temper when there’s cheese cake around? How can I stay composed when I experience disgusting or frightening things? How can I be composed when I’m staring absently out the window and don’t even see what’s in front of my nose?
Equanimity is about being mindful—aware—no matter how tempting, disgusting, or boring something is. Equanimity is about living in the here and now fully. Fully in touch with what surrounds us, without saying “yum!” “eeeeewwww” or “zzzzzz.”
Equanimity is clearly a way of bringing our aspirations into our actions, of bringing what we wish we did and what we do into closer relationship.
Easier said than done! But that’s how it is with religious thinking: it is always about either paddling upstream—against the currents of human nature—or it’s about how human nature is OK after all, at least in certain circumstances.Things like war, murder, torture, xenophobia, oppression. That sort of thing.
Sigmund Freud, no fan of religion, argued that culture does much the same thing as religion. It functions to mitigate the fearsomeness of nature; to reconcile us to the randomness and cruelty of fate; and to explain why culture itself makes so many problems for us.
It seems to me that both culture and religion (perhaps because the separation of church and state is a modern invention) are pretty good at creating duty, because both contain carrots and sticks. They create duty but not necessarily (or commonly) responsibility, which is a personal choice unaffected by carrots or sticks. Antoine de Saint-Exupery put it this way: “civilization rests upon what it exacts from its people, not from what it furnishes them.” The same can be said of most of religion.
Responsibility is a personal choice. A choice arrived at (or not) by each of us. How we get there depends upon the lives and circumstances we experience. Responsibility is a personal ideal. We live up to it.
Which brings me back to equanimity. It, too, is an ideal—we’re always going to default to “yum!” or “eeeeewwww” or “zzzzzz.”
Equanimity. The Buddhists think it’s a good way to act. It’s what made the Stoics stoic.
Source: Neoclassical_Velocity.JPG: Unitfreak
Equanimity. It’s a choice.
However They Have Writ the Style of Gods: Wounds and Healing
Here is the beautiful truth—saints and sinners are the same from the start.
Hsu Yun, Chinese Chan Buddhist (freely adapted by me)
As a young writer, I read everything I could find on the subject of writing. One of the books that impressed me at the time was written by novelist John Gardner called Moral Fiction. If my memory serves me, it is in that book that Gardner argues that every writer has a wound which drives his or her writing. By “wound” Gardner meant a psychological trauma so devastating that the writer revisits and seeks to re-write this trauma constantly in her or his work. (This theory predates the concept of Post-Traumatic Stress Disorder, PTSD.)
It’s not surprising that Gardner should have developed such a theory, since he had suffered a severe trauma in his own life. John Gardner grew up on a farm and, as is often the case, he drove tractors when he was quite young. One day Gardner was driving a tractor with his brother riding on the back. His brother fell off and was killed by the implement the tractor was pulling.
For the rest of his life, Gardner replayed and replayed in his mind the image of his brother falling. He blamed himself for his brother’s death. He never stopped asking himself, “What could I have done?”
Gardner himself eventually died in a motorcycle accident.
As I made my own attempts at writing, I discovered that the old cliche “truth is stranger than fiction” is partially true because writers can’t help attempting to make sense of the random happenings of the world. The human mind can’t help trying. Creative writing is, if nothing else, an assertion of the self in the face of what often appears to be a completely random reality. It’s the human need to create meaning that makes fiction less strange than truth.
But it is not true that only writers have wounds. Sure, some people become writers because of the need to process trauma. But the fact is, as the Buddha observed long ago, life itself is loss. We suffer because nothing is permanent except change.
Think for a moment about something you are hanging onto. Something that you just can’t let go. Something that makes you cringe when you think of it. Something that you replay, like an old movie in your head.
Now. Allow me to ask a very simple question: what do you gain by hanging on to what you are hanging on to?
Pain makes us individualists. As Shakespeare put it,
I will be flesh and blood,
For there was never yet philosopher
That could endure the toothache patiently,
However they have writ the style of gods
And made a push at chance and sufferance.
I think that Shakespeare is driving at the insight psychologist Carl Jung had when he coined the phrase “wounded healer.” It isn’t that therapists or ministers or anybody else have the answers to life’s wounds. It is, rather, that dwelling on those wounds drives many of us to be therapists or ministers or philosophers.
And the insight we find, when and if we find it, is that pain makes us individualists, but the cure for pain is reaching out. However we write the style of our gods, we must accept our flesh and blood and dependency on others before healing begins. This is perhaps not an entirely reassuring insight. We would rather see our healers as experts. But that attitude, too, is a fall into individualism. The answer is in reaching out.
The Chinese Chan Buddhist Hsu Yun said it simply:
Here is the beautiful truth—
saints and sinners are the same
from the start.
Earth Day Notes from New Orleans
Last week the Center hosted two groups of youth, one primarily people of color, one primarily white people. As the groups co-navigated the space of the Center and the programming, it was pretty clear to everyone why we talk about race and an analysis of racism as a gateway to serving in the New Orleans community. This week the Center is filled with another group, this one primarily white people from a place of primarily white people. Many in this group have been coming to New Orleans to volunteer for years and some are not sure why they have to talk about race and racism each time they come – other than that it seems to be the price of the trip to New Orleans. There are moments of joy in the work of unraveling oppression and moments of despair.
As I write, my garden fills with love bugs, lettuce, stinging caterpillars, and thyme. Despair and joy ripple through this Earth Day 2014. Those with power to change the laws and hold those who are destroying the Earth’s ability to sustain life as we know it are busy arguing semantics and pocketing short-term profits. Perhaps this is not surprising in a country founded on the belief that land could be bought and worked at the expense of human life.
And so we have to talk. To each other. About uncomfortable truths.
Our silence will not protect us… will not make sure that my niece and your child have trustworthy water and air that will not poison them. The environmental crisis of the Gulf and West Virginia has moved inland with the advent of fracking. White people are learning that their whiteness will not protect them from the brutality of our current economic system, from the impact of decades of valuing imaginary numbers over real life.
And here we are, called to continue the struggle for collective liberation – imperfectly, madly, hopefully… Happy Earth Day, beloveds. Let’s talk to each other.
Earth: Our Deep Home Place
The Greater New Orleans Unitarian Universalist cluster gathered in an oak -filled park on Sunday to celebrate Earth: Our Deep Home Place. As Earth Day approaches, I share with you a meditation, my invitation to celebrate our beloved planet:
Cosmologian Thomas Berry wrote “Nothing is completely itself without everything else. This relatedness is both spatial and temporal. However distant in space or time, the bond of unity is functionally there. The universe is a communion and a community. We ourselves are that communion become conscious of itself.”
We who are of the earth, children of the everything seed (http://www.uua.org/re/tapestry/children/loveguide/session1/sessionplan/stories/168158.shtml),
we are intimately and ultimately connected to all creation. Through mystery and mutation, we have risen from the fertile mud to look around and celebrate the miracle of earth. As humans evolved, so too evolved rituals to celebrate and interpret the wonder of this place.
When Lao Tzu, the great Daoist philosopher asked, “Can you hold the door of your tent wide to the firmament?” poet Mark Nepo believes he was “challenging us not to define the world by whatever shelter we create but to let in the stars, to throw our tent of mind and heart wide open in order receive and listen to the flow of life.”
Part of my own deep sense of home place in south Louisiana comes from the insistent presence of earth here. There is no day I can travel through town without noticing the majesty and intelligence of the plied live oaks, the whip-like flexibility of the pomegranate trees, the persistent resurrection of the bananas and the gingers. Summer days hum with the life cry of the cicadas, seagulls and crows caw throughout the year, mosquitos whining past your ear, and if you listen closely, I swear you can hear termites chewing away on darned near everything.
This place takes us deep, past language, to a pre-verbal space of knowing, to a place before naming, categorizing and limiting.
When we are still, when we breathe in and breathe out, when we trust that there is space for us and everything else that emerged from the everything seed, then beloveds, we can let go of our fears and submerge ourselves into the deep sense of collective belonging, the vast compassionate love that saturates creation.
Daily we make a thousand choices that shape the earth. May we throw our tent of mind and heart wide open in order to be shaped by the earth, our deep home place.
In Which Cackling Self Vanquishes Wild Grief, While Rational Self Could Not
Newsflash: Grief is completely irrational.
Does this surprise me? Not rationally. I knew it, know it, have seen it in my own and other people’s lives. But if I ever doubted what I know, this week has given me complete and utter clarity about it.
I’m on a trip away from home, doing things in the real world, in my real life. I hadn’t set off to take a trip down memory lane, or through the land of grief. But to my surprise, that’s where I seem to be, at least in part. The grief is completely interspersed with vibrant blips of current reality. In terms of time spent, vibrant reality overshadows the grief 10 to 1. But the intensity of the grief has given the whole week a strong flavor. Perhaps because of the strength of current life’s vibrancy, the irrationality of my grief sometimes takes me all the way to Wild Grief.
This was a two-part trip: It began with a meeting in Cleveland of a group of Unitarian Universalists, called “Allies for Racial Equity.” A group engaged in compelling, active work on a very present issue that I’m engaged in now. It had barely occurred to me that, 30 miles away in Akron, my childhood home was now owned by people who were not my parents. But when I got to Cleveland, I needed to head down to Akron and circle that house like a buzzard. So I did, driving along familiar streets, noting things I remembered and things that have changed. In a declining industrial city, most things that have changed are not for the better.
At my childhood home, my rational brain noted that the new people appear to be taking care of some major house issues that my father refused to address, and that is a very positive thing.
Meanwhile, my grief spoke in a completely different voice. Wild Grief began to howl: How dare they? Why did they take down those bushes [hideous bushes I had always hated]? How could they paint the door that new color when my mother had so carefully picked out that purple color [I never liked], and hand painted the door herself, twenty or twenty five years ago? What was wrong with them?
I shook myself a little, drove around familiar streets of schools and friends, streets filled with the ghosts of friends , some living and some dead. Then I headed back to Cleveland, back to my life, back to my trip. Next stop: Boston.
The Unitarian Universalist Association is preparing to sell its buildings on Beacon Hill and move across town. These include office buildings and also a bed and breakfast that I have stayed in, literally hundreds of times, over the past twenty five years. I knew that I was grieving the loss of this home away from home, but it wasn’t until I began to see the ubiquitous presence of the people who are purchasing it, measuring and discussing future plans, that irrational grief began to burn in me. “They’re walking around as if they own the place!” I sputtered to a co-worker, who responded kindly, “They do.”
And from there Wild Grief took full flight. As I was walking to a nearby café, I realized that not only am I losing this place to stay, it’s also unlikely that I will, in the future, spend much if any time on Beacon Hill in Boston. Why didn’t I ever live on Beacon Hill, when my child was young? I asked myself. Look at those people with a stroller! Now my child is 17 and I’ll never push a stroller on Beacon Hill! How could I have denied myself that opportunity? It would have been the best place to live, and I denied myself the experience, which is now gone For.Ev.Er.
Rational self pointed out to Wild Grief that, actually, I didn’t like the five years I spent working in Boston. The climate, the culture, the population density was so alien to me that I pretended to myself I was just there for college and would graduate soon and leave. Rational Self also pointed out that my stays at the bed and breakfast include such memories as my young child getting hives because of the lack of screens in the windows and a mosquito infestation, with air conditioning and heating that never quite worked right. Rational self had all kinds of these reminders, but Wild Grief had no interest. She was off and running.
Walking in one of the Boston streets that my Midwestern heart found so claustrophobic and anxiety producing when I lived here, Wild Grief continued to spiral and escalate. What is this time I live in, anyway? Wild Grief moaned. Wouldn’t it have been better to have lived in the 1950’s, when businesses were building after the war and people got married, had jobs, bought houses, and just stayed put for life? Wouldn’t it have been great to live in a time when things were predictable, and steady?
And that’s when Rational Self dissolved and Cackling Self came in. The 1950’s? Me in the 1950’s? I told a friend about this later and we had a laughing fit, envisioning me, a bitter secretary for a mean and controlling male boss, unable to create or claim or own anything as a woman, slinking into smoky lesbian bars on the weekends hoping not to get arrested, a bitter alcoholic, viewed by the rest of the world as a lonely spinster. And with that cackling, wild grief quit soaring in the skies and spiraled down a tiny hole. From which I am confident she will emerge again any minute and take flight again.
I don’t know what adventures my heart will bring me today, but I hope Cackling Self stays with me. Turns out not only is she more fun, she’s more effective, in vanquishing Wild Grief.
Nomination for Most Necessary Picture: Twelve Years a Slave
I wish I could talk to my Great-Aunt Marie about the movie Twelve Years a Slave, but regrettably “Neenie” died when I was three. This spinster librarian from Detroit did, however, leave a legacy—a self-published book of family history. Written in 1957, this book documented my family’s years in Missouri in the 1800’s.
My parents ridiculed these books; giant unopened boxes of them filled our attic. When my father died, I finally brought one home and began to read it. To my shock, the very first line of the preface, written by Aunt Marie in 1957, tells me my ancestors “left a Virginia country environment where they were relieved of the drudgeries of workaday life by the labor of slaves…they were members of a society in which excellence in manners, morals, and religion were prerequisites.” In 1821, when Missouri became a slave state and offered land at $1.25 an acre, my ancestors migrated there.
I had always imagined these Missouri pioneer ancestors living in a house kind of like Little House on the Prairie. Never did I envision Ma and Pa and the kids with slaves out back, ‘relieving them of the drudgeries of workaday life.’ No one ever talked about our family history as slave-owners.
Aunt Marie says in her preface that the family letters, “too numerous to include, have been incorporated into dialogue. The conversations are necessarily fictitious, but the events are authentic. The story is a family diary with eighteen dramatic scenes.” In other words, old letters have been turned into the equivalent of bad 1957 church skits.
Each of these ‘dramatic scenes’ is scripted, with stage directions and settings written by Aunt Marie herself. These descriptions are the primary reason I wish that Aunt Marie and I could have watched and talked about Twelve Years a Slave together.
Here are a few of the lines Aunt Marie included to ‘set the stage’ for various scenes:
“Smiling blacks bear platters of food to the tables, while strains from banjo and guitar are heard from the rear.”
“Black folks … cluster around the well and weave in and out of the buildings, working, laughing, loafing.”
It wasn’t until I saw and reflected on Twelve Years a Slave and the history of cinematography about slavery that I realized where Aunt Marie’s images came from. They sprang, in technicolor, from her Hollywood-influenced mind. Hollywood has presented dozens of films with images just like the ones Aunt Marie described, showing slavery as a time when blacks smiled and laughed and loafed.
Now, thankfully, Hollywood offers a version of history more grounded in fact. Twelve Years a Slave takes its viewers into slavery, not through the eyes of the slave-owners, but through the eyes of Simon Northup, a freed black man from New York, stolen and enslaved. The film shows slavery as mundane, daily, ceaseless, violence and terror. Some African-Americans I know don’t want to see it, or loathed it. But as a white person, who doesn’t experience the daily relentlessness of racism, the physical intensity of the movie was transformative. Leaving the movie felt like stepping out of a virtual reality booth.
I suspect Aunt Marie would not want to have any of it. Her preferred view seemed to be that owning other human beings didn’t make a dent in one’s ‘excellence in manners, morals, and religion.’ Nor did ceasing to own other human beings involve any sense of repentance. As one ancestor wrote:
“I’m not going to let old John Brown or any confounded abolitionist steal my blacks… I shall free them myself. Freeing my servants will not be a financial loss to me. Most of the negroes I have were inherited. In return for their labor, I have given them food, shelter, clothing, medical care…and security in old age.”
When I utter judgment upon my ancestors, some white folks get upset with me for “imposing 21st century values” on 18th or 19th century people. Do we really have to talk about this? they all but groan.
I guess the primary reason I’m most grateful to Twelve Years a Slave is that it is a kind of family intervention. I was born in the latter part of the 21st century. Silences and lies about my family history were handed to me as intact and unbroken as the four sherbet dishes my mother gave me, which made the journey with my ancestors from Virginia to Missouri. If Aunt Marie, writing in 1957, had come to believe that owning other people was wrong, she never mentioned it. My liberal parents –civil rights activists–never saw reason to talk to us kids about this part of our family history. Like many white people, my siblings prefer not to talk about it now.
Though viciously brutal, the film’s truth-speaking is a relief. Finally! Because when do Americans, or families, sit down with each other and say, “Wow, that was us! We did that! What meaning should we make of that? How did we benefit? How were we hurt? How do we heal our nation? How should we live our lives now?”
Twelve Years A Slave may or may not win Oscars Sunday night. But its real value is in changed and enriched lives: lives of people like me who have new ways to talk about and challenge what Adrienne Rich called “the lies, secrets, and silences” which shroud our national and family and cinematic histories. If there were a category for “Most Necessary,” this would be, hands down, my choice for best picture.
It’s Carnival Time!
Al “Carnival Time” Johnson sings “it’s Carnival Time and everybody’s havin’ fun…”
The twitter feed, the facebook, the news cycle all make it very clear that not everyone is having fun… but this weekend (until Ash Wednesday), I will put my twitter feed down, my facebook and the news away, and I will spend time with the people of my city dancing on the streets in handmade costumes with bands that have been practicing all year. Beloveds, we are going to have some fun.
Carnival time in New Orleans is complex, with a twisted history of racism, classism, sexism — AND it is an opportunity for the utter subversion of the oppressive status quo. It is a time when strangers become friends, generosity is the word of the day, and hope for a new day is lived out in the prefigurative politics of a communal celebration.
See y’all after the Mardi Gras.
Epiphany (Continues)
[More king cakes than you can imagine and only two weeks into Epiphany, I am still tugging on the promise of this season, even as I find myself tugging on clothes that seem strangely tighter…]
Kathleen Norris notes the irony that King Herod “appears in the Christian liturgical year when the gospel is read on the Epiphany, a feast of light…Because of his fear, [Herod] can only pretend to see the light that the Magi have offered him” (Amazing Grace: A Vocabulary of Faith, 1998).
Perhaps because of our fear, we can only pretend to see the light Universalism offers us. Here is our epiphany. We are loved, each and every one of us, every single atom and molecule. We are loved – not for what we do or believe, but for the divine light that shines in each of us.
We are all children of the same star dust and no distinctions we create can defile our original blessing. In a culture built on hierarchy and scarcity, it is a faithful act indeed to trust that everyone is held equitably in a compassionate heart of love. The scarcity of divine love is a dangerous myth, a tool to control and coerce.
Our work in this world, beloveds, is to proclaim the message of epiphany. We are loved, not for who we are, but because we are. We do not have to prove ourselves worthy of love any more than we should need to prove ourselves worthy of water. Just as we need water to be healthy human beings, so too do we need the knowledge that we – every single one of us, no exceptions, not even the most evil creature you can think of, every single one of us is held with compassion greater than we can imagine. It is a grace we cannot earn and we cannot lose.
Our faith has long valued acts over beliefs, and as a social justice organizer, I often celebrate this fact. But there is one belief that I pray will soak into the marrow of our bones, into our synapse and our blood. No one is left out of the mystery, no one is denied a strand of the interdependent web of all existence. We are all beloved.
May this season bring you sweetness – and the courage to live as a beloved among beloveds.
