It’s always felt a little strange to me that summer begins at the solstice, the longest day of the year. Shouldn’t the longest day mark the middle of summer, the high point from which we begin the long slide toward winter? And yet, from here the days get warmer, if not longer, the grass drier, the trees dustier. Our children have not yet begun to get bored (with any luck), and (with any luck) we are moving toward times of vacation and respite, not looking back on them.
Somehow the summer solstice manages to be both a beginning and a mid-point, the start of the line and the apex of the curve. But isn’t that just the way of things? Don’t beginnings, middles and ends turn out to be far more muddled than we ever imagined? The loss of a job feels like the world is crashing to an end, but turns out to be the seed of a new career. The beginning of high school turns out to be the end of childhood. The middle part of our lives is already arriving when we feel like we’re just starting to catch on to what it means to be married or a parent or a person with a career.
And, of course, the endings, middles and beginnings all overlap. We become passionate about a new hobby at the same time that we are comfortably in the middle of a career path, or we welcome a new baby as a parent is coming to the end of their own life. Only in the calendar to we have the chance to neatly mark the seasons, to declare when exactly one thing starts and the other leaves off.
In fact, what the calendar does is merely to assign names and numbers to the fact that change is part of the natural order. The seasons will move along in their predictable courses, but on any given day the weather will probably be hotter or colder, calmer or stormier than you might have expected. Making patterns is what we do in hindsight. Living is what we do in the moment, dealing with the elements of each day as it comes along.
But the choices we make in each moment are what build the patterns, what allow us to look back and say “That was the summer of my life.” The poet Marge Piercy writes:
We start where we find
ourselves, at this time and place.
Which is always the crossing of roads
that began beyond the earth's curve
but whose destination we can now alter.
May this summer solstice find you on a road toward your heart’s desire.
This year marks the ninetieth anniversary of the founding of what is known today as the Religious Society of Czech Unitarians. Its first minister, the Rev. Dr. Norbert Fabián Čapek, created a ritual that is celebrated by Unitarians and Unitarian Universalists all over the world, Flower Communion. Čapek described the ceremony in a 1923 letter to Samuel Atkins Eliot II, president of the American Unitarian Association:
We have made a new experiment in symbolizing our Liberty and Brotherhood in a service which was so powerful and impressive that I never experienced anything like it… On that very Sunday…everybody was supposed to bring with him a flower. In the middle of the big hall was a suitable table with a big vase where everybody put his flower…in my sermon I put emphasis on the individual character of each “member-flower,” on our liberty as a foundation of our fellowship. Then I emphasized our common cause, our belonging together as one spiritual community… And when they go home, each is to take one flower just as it comes without making any distinction where it came from and whom it represents, to confess that we accept each other as brothers and sisters without regard to class, race, or other distinction, acknowledging everybody as our friend who is a human and wants to be good.
The marvelous natural beauty of the flowers that are brought to these ceremonies is certainly inspiring, but it is of the utmost importance that we continue to learn the broader and deeper lesson this rite teaches. The idea that we should accept one another, with all our differences, and that we should even celebrate one another’s uniqueness, is a radical notion in any age, but in Europe in the 1920s it was downright dangerous; it became ever more so, of course, in the decades that followed, especially as Czechoslovakia found itself among the first nations to succumb to the opportunistic infection that was Nazism. The Nazis, of course, represent the polar opposite of Čapek’s ideals. Flower Communion is a defiant No! in the face of the brutal racism of Hitler and of the fascists’ craving to erect towering, horrific empires upon pediments of subjugation and terror, and it is a joyous Yes! to diversity, equality, and liberty.
As Unitarians and Unitarian Universalists all over the world celebrate Flower Communion, as so many of us to at this season of the year, we do well to consider what it is that we are saying No! to, and where our joyous Yes! is. Do we continue to defy the forces of intolerance that would seek to deny same-sex couples their civil right to marriage under the illusion of “defending” heterosexual marriages (like mine)? Do we stand together clutching bouquets of righteousness and justice in our hearts as we persevere in demanding compassion for immigrants, for laborers, and for the poor? Do we say Yes! to a future for our planet in which we will coexist with all life harmoniously?
Arrested by the Nazis for the “crime” of listening to foreign radio broadcasts, Čapek spent fourteen weeks at Dachau before being martyred in October of 1942 in the Nazi gas chamber at Schloss Hartheim. He is remembered around the world for how he died, but more so for what died for — and what he lived for.
In her best-selling Hunger Games trilogy, Suzanne Collins imagines a world of the future—a dystopian reality in which North American society has been replaced with a world where workers toil for the good of a small elite, threatened with the use of force, and given hope only by the small chance of winning a deadly game.
What makes the world of The Hunger Games so eerie is that we can see remnants of our present-day reality in it—enough remnants that it scares us to think that maybe, just maybe, we are headed down a path towards totalitarianism.
And while The Hunger Games is a work of fiction and of fantasy, we would do well to understand the signs in our current society that make Suzanne Collins’ disturbing imagination all-too-real.
In The Hunger Games, teenagers, called “tributes,” from each of the oppressed districts are forced to fight to the death in a reality television show broadcast throughout the nation. Their gruesome deaths are entertainment for the elite people in the Capitol, and the entire nation is forced to tune in and watch their children die.
That certainly isn’t reality, is it?
The reality is that our nation exists in what Chris Hedges, author of Death of the Liberal Class, calls a state of “permanent war.” Hedges writes, “since the end of World War 1, the United States has devoted staggering resources and money to battling real and imagined enemies. It turned the engines of the state over to a massive war and security apparatus.” We are kept in a constant state of fear that mutes dissent in the name of patriotism and fuels a war machine that benefits a privileged elite.
Our wars require not only a steady stream of money—taken from our paychecks and pockets and diverted from health care, our social safety net, education, and infrastructure—but also a steady stream of young, able-bodied people willing to die for our country. All too often, they do.
I am not suggesting that the death of US troops is entertainment for the elite, as is the death of young people is in The Hunger Games. But their death serves to reinforce a status quo that there are people whose interests are served by our nation being at war. The death of brave young soldiers helps us silence objections to unjust wars being fought in our name, it helps us dismiss Occupy movement as “fringe elements,” and it helps us rationalize police brutality towards non-violent protesters.
Lest we appear unpatriotic, those of us morally offended offended by the deaths of US soldiers stay eerily silent about what is fueling those wars.
We cannot afford to remain silent about the fact that corporations are profiting from this state of permanent war, and those same corporations have wrested control of our political and economic systems.
As we approach our annual celebration of Memorial Day, we will pause to mourn the lives lost in service to our nation. It is right and good to do this. Once we are done with our moment of silence, however, we owe it to our soldiers to raise our voices.
We must insist on a society where people matter more than corporations. Where the lives of young people are not used as disposable input into a system of profit-making and wealth creation.
We must insist on a society where political power is checked and shared—and not allowed to run amok through Super PACs and corporate donations. Where the wealthy and the poor have equal access and equal voice, where money is not speech, and where corporations are not people.
We must insist on an economy based in love and compassion, rather than fear and greed. We must insist on an economy based in mutuality rather than coercion. We must insist on a nation that treats the “least of these” in the human family as if they were the divine in our midst.
We must raise our moral voices loudly, my friends. We might not find ourselves in the Hunger Games if we do not, but to create the future we want to see we cannot remain silent.
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